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GRISSOM: But then along comes someone special. A free spirit. She shares your work. She looks up to you. She excites you. You look yourself in the mirror and can't find the courage to tell her how you feel. But as life would have it, she pursues you. And you're powerless to resist.
GRISSOM: If you keep saying 'no' to embracing the moment, when you finally say yes, it becomes bigger than you. And you are no longer you anymore. You're somebody else. Abstraction becomes reality. All you think about is her. You want to be with her. Eat with her. Laugh with her. Make love to her. (charged) Go into infinity with her. Without doors. No boundries. No restrictions. An entire lifetime that comes down to this single frame of life.
[SD] In a manner of speaking, Grissom is self-reflecting.
DR. LURIE: Who are you talking about Mr. Grissom?
GRISSOM: I'm talking about every man who's been there.
Grissom is attacked by Dr. Lurie. Brass and the uniforms come to the rescue. Lurie has punched him in the eye over and over again, obviously giving Grissom a black eye.
So.. we have Grissom confronting Lurie, but really confessing his own feelings for Sara, buttons are pushed, Lurie reacts.
GRISSOM: My first black eye.
[SD] Brass walks out, leaving Grissom alone. Grissom walks over to the one-way mirror. Stares at his beaten face in the reflection.
REVERSE ANGLE - P.D. - VIEWING ROOM - CONTINUOUS
REVEAL none other than Sara, inches away. Separated only by a window. She's heard Grissoms's entire confession.
OVER HER SHOULDLER
CAMERA FINDS Grissom. Standing all alone. Wearing a black eye. Looking at Sara, but not seeing her.
FADE OUT.
dirtylabrat said:
Anyone else reading Taking Risks? It deals with the Lurie aftermath. I'm so hooked!
GSRLUVER said:
And hopefully when they start filming again, they'll beg Jorja to come back, so they can start with a BANG and she'll come back!