pizzapie said:
Last thing I'm going to say on this. Anna has mentioned in interviews that she had to do several readings as part of the audition for NY. I'd imagine she had to show the complete range of emotion. If she couldn't do "anger" they either wouldn't have hired her, or would have not written it that way. They might not could do without the interrogation scene, but they could write/direct it differently, or even not have Lindsay there. I think part of the reason it doesn't bother me is that there are a couple of people I know well who portray anger exactly as Lindsay does.
I have never set foot in this thread until now, so here goes.
A casting director and/or a producer cannot always make accurate judgments about what will come across on screen once you get someone on the set and with the rest of the cast. Anna also said that her audition wasn’t very good and asked Hill to say a word on her behalf that might mean something as well and cannot be ignored in light of evidence that is more favorable. Also, they simply can’t have an actor on a crime drama that is never emotionally distraught, what would her point be, even Flack and Hammerback who are known for their comedy have expressed moments of emotional depth, solemnity, and distress over death.
Every point has a converse view so you will never achieve an absolute on something subjective, such as an actor’s performance, which is all about perception, feeling, partiality, and yes, bias. That I believe was Top’s point when mentioning Russell Crowe, she can excuse his shortcomings because of her feelings towards him as an actor and as a man. The beauty of having a point of view and an opinion is that you are entitled to it, but it doesn’t make what you say any more right or wrong simply because you believe it to be the case. That holds true for both pro and con arguments, it is in agreement with others than your viewpoint begins to hold validity. Clearly, when it comes to Anna’s emotional range there is agreement on both sides, pro and con, and a great schism between those sides.Top is saying, rather clearly I believe, that she thinks Anna is much better and believable in light/comedic scenes than she is in dramatic scenes. I can’t imagine why that would be a point of contention, when it is a salute to Anna’s skills in comedy, only by taking it negatively does it become negative.
As far as some people lacking the ability to convey anger convincingly or properly, I guess I would ask then how you know they are angry rather than simply annoyed, bothered, or peeved. Perhaps they have not unleashed the entire sum of their anger. Even if you may have encountered these people, I don’t think most of the world has and doubt very much that the writers would ask Anna to project to so miniscule a portion of the population. Especially when the point of television is to attract the masses, especially network television, so what would be the point of demonstrating such a rare phenomenon considering that many just find it odd or unconvincing rather than some heretofore-unknown portrait of anger.
Anger is rarely an annoying, docile, unconvincing, or laughable emotion, for me in Lindsay it is. I can also say that for a brief moment in her bow and arrow scene I saw something light and convincing and like Top, believe that her skill as an actress is best utilized in comedy.
Ali