I finally got around to reading this entire thread, and I love how everybody's so excited about this amazing episode.
I also realized that my first post in here didn't make a lot of sense, as I was too giddy at the time to phrase it very well. :lol: Warning in advance: this is gonna be a little bit of a long-winded post from me.
The cinematography and the music and all the little miscellaneous extra touches in this episode were fantastic. Each POV obviously had a unique style, but there were some subtle touches that really added to the overall effect:
Sara: When they show the scene 'from her eyes' the contrast is turned up, giving it a harsh effect to reflect her cyncial views about marriage. Notice that when it shows Sara from head on the contrast is normal. The music that accompanies her POV has this almost stoccato quality to it, which again creates a bit of a sharp, harsh effect.
Nick: The soft light, and blurry image for his romantic-idealized viewpoint. Also notice that as he's about to walk out of the flower-tunnel thing, the crowd parts to reveal the bride standing at the end of the aisle. Very idealistic, Nicky.
His music is very soft and gentle.
Grissom: Everything is in perfect focus, and is crystal clear, with normal color. He notices all the details, like the bride's jewellery, or all the caterer's trays of food. His music is fairly regular and not too out of the ordinary for his scientific, detail-oriented style.
Greg: Oh, where to begin with Greg... He had the black and white coloring with red accents and the whole film noir theme going on. Greg likes to make things interesting and dramatic. Watch how when he's coming to the end of the flower-tunnel thing, the crowd consists almost entirely of women. And then there's of course, his old-style-mystery-movie music.
Brass: Perspective is straight-on when the camera focuses on either a witness or Brass himself, showing his no-nonsense, get-the-facts style. He also notices details like the waiter drinking the champagne, like was mentioned before.
I also thought it was a nice touch how they had the mother's eyes open during the autopsy to make her look creepy. Note that they were closed while she was being dragged behind the car.
As for the issue about whether David said his line about the mother wearing white to each CSI separately or as a group, it seems like it must have been separately, because after he says it each of them goes to walk through the flower-tunnel alone, and there's no cut in the video so it wasn't like they walked through it at different times. Also, his movements are different for each POV -he moves his hand during Nick's, and slightly moves his head for Grissom's.
Sorry about this long, detailed description of every tiny thing I noticed, lol. I just really loved how they threw in lots of extra little things that people mostly wouldn't even notice. This episode was not only hilarious, but was absolute genius visually as well.
And, finally, one of my many, many favorite lines:
“I wouldn’t be surprised if her pantyhose rebelled against her and tied themselves to the car” ---Caterer