Re: Gil <3 Cath #22: PureJoy - What Would He Do W/O H
bobo said:
(BTW, do you really eat peanut butter with jelly ?)
Does that mean you never have?!!
That's a sacrilege
Peanut butter without jelly is like... yin without yang, heart without soul, Cath without Gil, and CSI with CM.
Gumdrops -
You know, I caught part of this the other night. It's an episode I don't think I had re-watched since it originally aired. I thought it was fun and interesting until about halfway through. Then I seemed to lose interest at about the point where they finished collecting evidence at the house and started doing other things.
The scene that really stuck in my brain is the scene where Cath is in the lab processing the blood evidence. The over-the-shoulder camera angle just made me smile through the whole scene. It somehow struck me funny that the cameraman was more interested in the boys and not what she was actually saying. (OK, so maybe it was just what my brain was focused on the whole time - wondering why they would use that camera angle for any other purpose than in that context)
Greg's *cough*yokoono*cough* comment was so cute. I'd have to say that was probably my second-favorite scene - the "kids" eating at the picnic table (can't upstage Cath & the boys yet as my favorite).
NICK: DNA confirmed to everyone but Cassie.
SARA: Interesting.
NICK: Mm-hmm.
WARRICK: Mark knew the pot was there because of Jeremy. Come on, I'm sure Jeremy wasn't voted the most popular boy in school. He's done everyone's term paper. He's a nerd.
GREG: Yeah, so how does that end up a quadruple murder?
SARA: One of them was stupid enough to bring a gun.
WARRICK: I was talking to Tina the other night. She said something to make me think.
GREG: (coughs) Yoko Ono. (coughs)
WARRICK: Tina's dad is a doctor of anthropology, so, one day, when she was a little girl, she asked her dad where on her body her anthropology was. You know, he's a doctor. Mark's dad's a lawyer.... Maybe Mark was thinking habeas corpus -- "body of the crime"?
SARA: "Body of the crime" is content of the case, not an actual body.
WARRICK: Yeah, but a kid could easily misinterpret. Maybe he's thinking, "no body, no crime, no crime, no punishment."
SARA: Does Yoko Ono want a job?
SHERIFF DENNIS BRACKETT: Morning.
(the gang): Morning.
SARA: Hello.
SHERIFF DENNIS BRACKETT: My wife made muffins.
SARA: Thank you.
SHERIFF DENNIS BRACKETT: You're welcome. We got a lead on the ATM. The account belongs to Jim Locke. He's got a son named Peter, the same age as Mark. We pulled some surveillance footage. It's a little grainy, can't see much.
WARRICK: I'll give it over to Archie and see if he can clean it up. Thanks.
SHERIFF DENNIS BRACKETT: All right. I'll be in the car waiting when you guys are ready.
NICK: All right, thank you.
GREG: You feeling a little homesick there?
WARRICK: You want to draw straws?
GREG: No.
WARRICK: Call me if you need me.
NICK: All right.
I believe this is the almost-perfect scene that we've been missing since the early seasons. The only thing that would have made it perfect would have been if Gil & Cath had been sitting at the table and both quietly smirking in amusement at the exchange between "the kids". That would be my version of the "perfect CSI scene" - kind of similar to the final scene in Season 1
Strip Strangler
Continuing with that scene - a wonderful Nick/Sara moment:
SARA: All right, let's head over to Locke's house, and see what we can find. (turns to Nick) You coming?
NICK: No ... no, you go ahead, I'll catch up.
SARA: You think she's alive.
NICK: You don't? (Sara shakes her head.) None of her blood was found at the house.
SARA: I think she was drugged, and ... she was lucky if all they did after that was kill her.
NICK: I don't think she was drugged. She's a smart little girl. She hid that cough medicine in her shoe; that's like hiding green beans in your napkin, you know?
SARA: I hope you're right. But everything in our experience tells us they're dead, all four of them.
NICK: Doesn't mean we just give up.
SARA: No one's giving up. It's just that ... you're acting like you're going to rescue a person, not recover a body. And on this job ... that's just not usually the case.
NICK: I was rescued.
SARA: It was not your day to die. When it's your day, it's your day, you know?
NICK: I don't think it was Cassie's day.
Another scene that just pulls at your heart strings. It's the wonderful side of Sara that you just don't see very often. Many times "the kids" are bantering back and forth in a fun-loving way, and it's always cute, but we rarely see any of "the kids" in a heart-to-heart talk with one another. Normally these kinds of scenes are left to Cath & Gil. It's also nice to see the differences in how they view things - Nick the eternal optimist. Sara the eternal pessimist.