*TQ*
Gah, how did I know that eventually you were going to force me to talk about my older work, LLK? I JUST KNEW IT! *splodes* Oh well, so much for leaving the past where it belongs.
Let's start with wanting to write something a little differently: FRICK YEAH! Awhile back, when I was writing a little story called Interrupted, I went back to my first story, The Aftermath. Basically, I wanted to take it down right then and there, but didn't. For some reason, I didn't have the heart to do it. BUT I did want to fix it. I started the rewrite somewhere around the time I finished Irony. So basically, yeah. I have been tempted to fix a piece that I deem horrific, in every sense of the word. Looking back, I want to change a lot about Interrupted as well, because some of it was terribly out of character and poorly written. When you're picky like me, you tend to want everything perfect. Frankly, nothing I write is ever going to compare to Irony, because that was, in my opinion, my best story. Two months later, and I still shiver when I reread it. I know it sounds vain, but that's how I feel.
Now, I understand it has only been a week and one day, but I must say that I am still quite proud of What He Wants, my challenge story. For a first try at a New York story, I was very proud of it. Not to say that it was perfect, because I know for a fact that it wasn't. But it was my best effort, and I think that it paid off in the end. (Thank you to everyone who reviewed, by the way! Means a lot!)
But when I reread The Aftermath, the first thing I did was grab a spoon, intent on gouging my eyes out. But, alas, I realized that wouldn't fix the story... SO, I decided to rewrite it. And by that, I mean tear it apart, cause it indescribable amounts of pain, and then put the taped up, finished version of it down in words. Basically, it is now something that I'm sure I'll be proud of once I post it.
But that'll have to wait until I finish my Miami story (Eric/Calleigh shippers be warned! I have crossed over to the darkside. What can I say, I'm a sucker for a cute Puerto Rican playing a Cuban?)
*Critique*
Alrighty, Zelda, you get to see my dark side! *evil grin* Mwahaha... ahem, by that, I mean you get to see the very few mistakes you made, and the one thing about it that I didn't like (which is strictly me, and by no means does it say that you did a bad thing by writing it).
Alright, let me just do what I did for my last critique with the grammar stuff you did wrong:
Original Quote
...had been out with Nick and I...
My Edit
...had been out with Nick and me...
Explanation
Okay, now I could be wrong about this, but I just cut out Nick, and I didn't make sense by itself. So I changed it to me. You may have it right anyway, but this is just what I think it should be.
Original Quote
My breath caught in my throat as I watched Nick banging on the top of the box with is fists...
My Edit
My breath caught in my throat as I watched Nick banging on the top of the box with his fists...
Explanation
I don't think this really needs it, but you just dropped an 'h'... I think that'll suffice.
Okay, so now I'm just going to run through the thing that I didn't like. That would be when you put LeeAnn in the scene where Warrick is watching Nick readying himself to fire his gun. When I first saw "Grave Danger", I saw that as a very private, personal scene for Warrick. It was showing how badly the situation was affecting him, but it was keeping it from the eyes of anyone else. It was the slow decline of his control that ended him up with Tina (in my opinion). That said, when LeeAnn was there, it took away the effect the scene was supposed to have, and it made less of an impact on me than it could have. Again, this is just my opinion, and is not to be taken as anything more than such.
Now to the bright side! I thought the rest of this story was told in that beautifully angsty way that I have been accustomed to reading in Adorelo's stories. It had all the drama that made my heart clench with mixed emotions that made no sense together. I felt the love LeeAnn had for Nick, and how terrified she was that she may lose him.
I believe my favorite scene would have to be what was my favorite scene in the episode, which was when Sara realized where Nicky was. You told it wonderfully, and added to it in a way that truly made it perfect. Grissom was very in character during the bit you used him in, and if this had actually happened on the show, this is exactly what he would have done. The reinforcement of his denial, rather than the "Okay, fine. You can come. But stay out of the way" collapse of his morality was just so... Grissom. It was also great how you had LeeAnn break down just before they discovered Nick, rather than when she first found out. It was very human. And I also love how she screamed at no one in particular at the beginning of the breakdown. To be honest, that is something that I would do (I promise I didn't picture myself as LeeAnn, honest
). And the end line was excellent, because you could have had anyone say it, because it is such an impersonal line with such a deep, personal meaning behind it, if you know what I mean by that.
And that's the end of the rambling critique by Amanda_Ruth. I hope it helped!
Oh, I'm an evil biotch! How could I forget to thank Jodie for keeping us ducks in our row! You rock!