Top41 said:
Since I've seen a lot of discussion about this pop up in recent days, I figured we should try to consolidate it to one thread and centralize discussion, since the writers' strike will potentially have a huge impact on CSI: NY--and all of network TV, really.
What is the writers' strike?
As of 12:01am on Monday morning, the writers in the Writers' Guild of America will officially be on strike. That means that no writers will go to work, and no new scripts will be produced. This will affect all writers in the WGA, meaning everyone working on CSI: NY.
Why are the writers doing this?
In short, because since the last time they signed a contract, the landscape of television has changed dramatically. DVDs and the internet are a huge part of how TV shows are seen, and also provide significant revenue (in sales and advertising respectively) for the studios. The writers, whose work is being aired in these new mediums, want a cut of that.
CSI: NY showrunner Anthony Zuiker put it really well in his latest CSI Files interview:
Zuiker:It's a very complicated topic. There's two sides to the argument. The one side is: if the networks pick up the risk, they should get the reward. If the networks get involved and an expensive TV show doesn't go, they don't go back and charge the writers. All the risk for the reward. The other side is: television is changing and content is being aired on different devices and being monetized and the writers are taking the position that if the network is making something from that, so should the writers. The writers are creating new content for one device but it's being used for multiple devices and being monetized and one can argue that the writers will be part of that also. There's a compelling argument on both sides.
Can't they just hire other writers to do the show while the WGA writers are on strike?
They could, but generally that doesn't happen. Anyone who accepts a writing job during a strike is considered a 'scab' (someone who crosses the picket lines) and once the strike is settled, won't be able to get into the WGA, and therefore won't find work after the strike.
How far along is CSI: NY in their season?
Episode 406 just aired; as of last week, work had been completed on 411 and they were heading into 412. The last completed script that we know of is for 413.
Will those episodes that have already been written be filmed?
Unless the crew walks out, too, yes, they will. The SGA is still planning to work during the strike, meaning the actors will be reporting to film their scenes.
When will those episodes air?
That's up to the networks. They could keep to their regularly planned schedules--presumably, new eps in November, and a smattering here and there in December and January--or they could air new eps in November and hold the rest until February sweeps. Either way, it's likely new eps will dry out just before or in February.
What happens when the episodes run out?
Reruns and reality TV.
How long will the strike last?
There's really no way of knowing. It all depends on whether the two sides can reach an agreement or one side caves. Most reports seem to indicate it could last a while, but there are no guarantees.
Hope that helps answer some questions--if you have any further ones, please ask them here! However, as upsetting as this all is to TV fans, please try to avoid flaming either side (the writers or the studios). I think we can have a civil discussion of the issue here.
This is what Top41 posted in the NY board. I think it'd be interesting to discuss what you think will happen to your favourite TV shows now that the Writers' Guild of America is on strike (beginning in a few hours). Post your thoughts!