Melty Fan, I can never tell whether Mac's eyes are green or blue. Lately they look very green, but other times they look very blue, and other times a blue-green mix. I think he's just one of those people that has eyes that are somewhere in between the two colours, and change according to the lighting or what colour shirt he's wearing. It's the same for Gary's films. I really like that about his eyes, it makes them so interesting to look at. And whatever colour they are, they're amazing, so intense and full of emotion. :drool::drool:
Angel Taylor, that pic of running in black Mac made me drool bad! He's soooooo hot. I'd love to go jogging with him, then take a shower after...:devil::devil:
I came across an interview with Gary Sinise a while ago. The introduction of the article left me breathless because describes exactly how I feel about him, the way I think he is as a person. So it's true, it is not just me. And there is something interesting about his eyes. This is the text...
<<The first word that comes to mind when you meet Gary Sinise is "Reserve". He does not walk into a room like gang-busters, he's not all over you with any kind of false intimacy. Looking fresh and cool despite the sweltering New York day, he's... just there. But very much there. Typical, they say, of a man who, barely 19, created a theater company in Chicago (Steppenwolf) and more often than not directed its productions with such unknowns (at the time) as John Malkovich, "Oz" 's Terry Kinney and "Roseanne" 's Laurie Metcalf. Typical, they say, of a film director who says "Miles From Home" and "Of Mice and Men" were "good and strong stories, I didn't want the directing to get in the way. I chose to do them very simply and let the acting speak." Typical, they say, of a man who, even when he plays music with a small band (which he did with a band during the Montreal shoot of Brian de Palma's "Snake Eyes") does not propel himself to the forefront of the stage. "I like to play the base back there with the drummer and keep this steady thing going. In fact, quite often, I don't look at anybody, just the drummer."
Typical, but not compatible with, er, Stardom. If Gary Sinise is not a star that "opens" a movie to the tune of a kazillion dollars on the first week end, a) he's been in films that did (Mel Gibson's "Ransom", Robert Zemeckis' "Forrest Gump", Ron Howard's "Apollo 13"; b) his presence now above the title is tantamount to a badge of quality. A film with Gary Sinise in the cast is not going to be a brain-dead kind of flick.
Something about Gary Sinise's voice. The tone, the pace may be neutral (and he can be a delightfully dead-on impersonator), but it's nasal and twangy just enough to give anything he says an edge of dead-pan irony that can border on the sarcastic. Then you look into the eyes: behind the
light-blue-gray innocence, yes, the double-, triple-, quadruple entendres are definitely there.>>
Maybe this is the answer to the color of his eyes question...
:drool::drool::drool:
