Well the case didn't blow my socks off, but for the most part I'm still pretty keen on tonight's episode --I'll over look some suspended belief and minor plot holes because of someones ability to maintain a little continuity, and make use of some under-used characters.
First thing I'll address, since it's pretty much the first thing we see, is the Flack and Angell scene that will undoubtedly cause a stir tonight. And it ought to I suppose. They're hot. The scene is hot. The coffee is hot. There's a lot of heat being thrown around here. They have chemistry, it's pretty unmistakable when every word Flack utters is guaranteed to make your stomach flutter, but if Eddie doesn't do it for you
(check your pulse) Emmanuelle might, hanging around in what looks like Don's shirt and little else.
They seem to really have fun together which is great, but it's fitting of TPTB that they've left this relationship full of gaps and timeline holes and not necessarily the good leave-my-imagination running kind. It's another situation where I rather wish they'd let the relationship mature bit by bit, in snippets since we first saw them flirting in a cruiser ages ago rather then hurrying to fit all this in before our season ends....
but I won't make too many complaints, since as far as canon relationships go Flack and Angell certainly aren't the worst thing on the screen.
The biggest selling point tonight for me is seeing Flack and Hawkes take the spot light in several, yes,
several scenes. Fantastic!
Throughout the episode we learn a touch more about Hawkes ex, a victim of rape, and his unresolved issues with her sufferage and his helplessness. It's great that they've given Hawkes something to take personally now and then, and what's more is Hill has the acting chops to broach the scenes with just the right amount of empathy for the victims and their loved ones. Bonus when he shares a scene with Flack where his personal connection to the victim of a stalker comes to light. It's another nice scene for both of them to develop a personal/professional relationship.
However superficial, the scene left me with one question: When Hawkes mentions someone being a pack-rat and Don comments "You think that's bad? Have you ever seen Adam's place?"
Why Mr. Flack! Pray tell, what ever brought you to Adam's place?
Unfortunately, Adam seems to be the only one who didn't get enough play this episode.
On the subject of Flack, not only do we get an under garment igniting scene at the beginning, but he goes on to later make mention of Sam! It's another great scene for victim empathy --which seems to be a running theme in this episode.
In terms of the case though, I felt the connection to Stella was a little weak. Speaking of weak, I'm finding it hard to believe that Stella would recall the voice of a single speaker amongst a room full of students asking questions at her lecture. I can barely distinguish between my family members tones when they ring me. Sound is not nearly as well connected to memory as senses like smell or sight, so Stella has super hearing and memory I guess.
We did actually make it an entire epsiode here without mentioning the baby or the incubator, I didn't really notice until about 45 minutes in when I was bracing for that expected impact, but it was a much deserved break.
The only thing that's worrying me now is that in the one episode where we take a break from baby and mama drama Danny is very much down played. Not that I mind the occasional episode without as much Messer, but it's concerning that they seem to have nothing for him when they're not harping on about this damn baby. Honestly, I'm going to throw a fit if they reduce him to only being capable of talking about the child and his egg donor. :scream: What happened to that rich and interesting character I fell in love with?! Hopefully I'm reading too much into this. After all we did get that great little scene at the beginning with Stella. His reaction to the rejection hotline was priceless -- that smarmy little laugh.
I hope he realizes he could put that service to good use himself.
And lastly on the case --is it just me or are there a lot of small time musicians being stalked on this show-- oh well. Odessa, or Dayna, or whatever you'd like to call her, in all her brilliance, while staging her crime scene and covering her tracks, didn't stop to think that if she WAS found out she could probably just cry self defense? I mean all those letters and notes getting increasingly aggressive would likely have been more than enough for a good attorney to show a jury this girl's life was in danger. Even so, the final scene where Mac and more so, Sheldon coached her I thought was one of the most interesting things we've seen in a while. And frankly as much as he's been known to skirt the rules when he needs to, I was a little surprised that Mac let Sheldon go so far. It's such an interesting glimpse into the choices they deal with in their work that I was sad to see the show end there! That's the kind of thing that I certainly hope they don't just close the book on! There's a lot of potential in here for Mac and Sheldon to come under fire, especially when they see this girls case through to trial.