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I'd like the idea of a movie, once the series has ended and only if it features the complete original cast (characters and actors). I think since CSI eps are already shot as "minifilms", CSI could make a good movie. Thing is, they have to find a kick-ass storyline, a great villain and it has to be a little bit personal, but in a way that hasn't been done before (so, not necessarily the "csi as a victim" thing again). And officially I've been watching too much America's Best Dance Crew. Oh, and it has to have the best soundtrack ever!
^
By the time the CSI movie's actually done, Lindsay will probably be the shift supervisor and the title of the film will be Crime Lab Musical.
AGREED with the above from happyharper. How about instead of wasting time and energy on a movie I'm pretty sure will be a bust or disappear into Hollywood hell, you put that money into giving the actors (GE, ES) a raise!!! That's money well spent. Or, better yet, pay some decent writers to come in and write some decent material?
You really trust the current crop to hire new ones? Would they have to write a declartion of some sort swearing to worship..I won't say it..
I'd love to see Tom M who wrote Turn, Turn, Turn to write a few more episodes. He was good!
You really trust the current crop to hire new ones? Would they have to write a declartion of some sort swearing to worship..I won't say it..
I'd love to see Tom M who wrote Turn, Turn, Turn to write a few more episodes. He was good!
Eh, everyone's going to have their favored writers, and I don't think it's going to be entirely based on the writer's skill. Different people construct different aspects of the storylines, and some writers (like Tom M, as you mentioned) might be more popular with certain fans because they happened to be saddled with writing episodes that focus on those fans' favorite characters (kinda like how DR tends to be more liked by GSR and Greg fans).
Honestly, I really think we don't cut the writers enough slack. Constructing complex mysteries that can be solved with forensic evidence is almost certainly a lot harder than we fans appreciate, IMO. I would challenge anyone here who has been complaining about the writing to try writing a better episode. It's a lot easier to write character drama and development than it is to write a science-based mystery, IMO, especially after this many years.
Also, I think that a lot of the things that we don't like about the show's writing can be blamed more on the producers/other PTB than on the writers. I'd be fairly certain that the writers aren't the ones making the major creative decisions. While I really don't like the way TPTB seem to ignore continuity too much of the time, I think the writers are still doing a darn good job.
So yeah... Eric Szmanda mentioned in the interview that he looked forward to having a bigger budget for the movie (being able to create explosions and the like), so I suppose I'd rather they used the money that would go into a movie into getting a bigger budget for a few episodes. I do not want to see them change the writing staff. Also per raises, it's not like the actors themselves (at least the series regulars) are slumming it. But perhaps raises for the recurring characters might help.
lmao! you killed me with this one.By the time the CSI movie's actually done, Lindsay will probably be the shift supervisor and the title of the film will be Crime Lab Musical.
well a movie and a CSI episode are two different things. first, CSI gets a pretty much steady income with their new episodes, repeats, and licences to other countries. it's predictable, which is why they know ahead of time how much they make per ep. in result they open their Excel spreadsheet and type in a nice Cash Flow table and realize how much they can spend on making an episode so that they end up earning money each time.so I suppose I'd rather they used the money that would go into a movie into getting a bigger budget for a few episodes