Has this been post before? If so, I'm sorry, feel free to delete this message:
6.11, "Second Chances", press release
It hasn't been posted before! Ahhhh, the infamous stunt casting fest. I'm a little scared. Not a single one of these people has any acting cred.
Probably the way TPTB would handle it, yeah, how quickly he'd get over his issues might feel like a cheat. But honestly, I don't think they're doing much better sweeping them under the rug right now with his marriage. I guess I just really like self-awareness in characters -- part of what interests me in Lindsay is how she seems pretty aware of her issues, and her limitations. Mac seems to have gained that level of self-awareness in S3 and S4, and that's when I really started liking him, Adam and Flack are extremely self-aware already.
Yeah, Danny is definitely the only one who doesn't exhibit some sort of self-awareness... he's really just a child in many ways. I feel like his issues are just as present in his marriage as they were beforehand... maybe they're not as highlighted, but they're certainly there, and every time he tries to conceal something from Lindsay, it's brought to the forefront.
Yeah, it sucks that of all those characters, Mac (who's the lead) is the only one we've actually seen gain self-awareness, but I just don't think it'd take all that much for Danny to do the same, and imo it'd be a neat thing to see.
It would be, if done right. But I think Danny is more damaged than what can be fixed over an episode or even a series of episodes. I'd love to see it delved into, but maybe in a way that reveals the root of it and then slowly tries to show him working on trusting people. It seems like a really hard thing to learn, especially at Danny's age.
The problem is his scenes were about thirty seconds long (if that) in a lot of the S3 episodes (right up to "Heart of Glass"), and again, they were the obligatory autopsy scenes. But he was in every one. Honestly, the only episodes I remember not seeing Sid at all are from S1, of course, and S2 (everything up til "Dancing with the Fishes", "Trapped", and "Charge of this Post"). And then there's S6.
I'll admit, I totally don't remember either way--I thought Hawkes had stood in for him in a couple of eps (one where Hawkes was using the virtual autopsy?).
Perhaps; maybe they're just overlooking her character this season. I'd hesitate to say that doing so for long won't alienate their DL fanbase; the ones I've spoken with seem to be getting increasingly p*ssed too, but I don't know all that many, and certainly can't speak for any, let alone all of them.
It might, but I think that there's a perception that if Danny and Lindsay kiss or share a cute moment every few episodes, that will be enough.
But characters who don't develop during their stories (well, characters that readers/viewers/etc would generally expect to see develop) always get critiqued just for that, and the flack usually falls on the writer. Whether it's fanfiction, published writing, theatre plays, film, tv.
It drove me crazy how Aiden got little to no development before she left the show, and I didn't even like Angell, but I called bad writing on her -- again, the no development. Writing that's not there is just the same as bad writing when handling characters. Not even having the excuse of saying that they just "forgot about the character", though (ie, by sidelining Lindsay with DL, they'd clearly be remembering the character, they just wouldn't develop her on purpose)....definitely bad writing.
I guess what makes me unable to call it bad writing is how well developed the majority of the lead characters are--everyone except for Lindsay, basically. I never found Aiden poorly developed--I liked her toughness, and that it wasn't unrealistic. She was sassy, but new enough that she could be intimidated. Street-smart and savvy, and protective of Danny in that way everyone who meets and cares about Danny seems to be.
Angell was just a recurring character, but I loved how she took no guff from anyone, ever. The way she totally confident enough to bust Flack on trying his game out on her... and yet make him feel pretty good about it, too, afterwards.
And I think Mac, Stella, Danny, Flack, Adam, Hawkes, even Sid... they're all very well-developed. So that's what makes me trip on calling Lindsay's lack of development bad writing. How could the writers write so well for all of the other characters... and not for Lindsay?
I can't see the sense of risking the critique and writing around a bad actress, when they've gotten rid of characters involved in relationships before...if it were just the relationship that attracted the fans, I'd get rid of the bad actress, stick Danny with another girl, and wait for the ratings to come in. But that's just me.
Oh, me too. I probably would have gotten rid of her after her atrocious performance in "All Access." But then... she was pretty good in "Stealing Home." Objectively, she's not the world's worst actress. She just has so much less charm and charisma than someone else they might have gotten for the role. But by the time that was really apparent, it was well into season three.
But that'd be so annoying :lol: (letting her fall into that BHC, especially now that they've got Adam tied in with her new-girl story). If they had to hire her, I'd rather see them flesh Haylen out. I do see the point about the lack of diversity, though; S2 wasn't horrible at the beginning in terms of that, but the show hasn't felt like an authentic New York City for a while now.
Maybe, though I think Adam being tied in with the storyline is the last reason I want to see Haylen back. Do we really need a repeat of the Kendall dynamic? Unless it's going to get more interesting, I don't see any reason to really go that route, either.
Yeah, but not just hers. And well, she wasn't pregnant at the end of S5, plus there was all that hype about a character possibly leaving the show, since they were all getting their contracts renewed (I think). I obviously have no idea what the real issue was there, but I do think that if they were waiting for a chance to get rid of her, they just missed a pretty golden one.
If Anna has a typical six year contract, hers won't expire until the end of season seven. And I think the worry was probably all smoke and mirrors... I highly doubt any of those actors weren't told they were fine, that they were coming back--especially since the plan all along was to have Danny get shot.
This'll probably get back to my not seeing her as being particularly uneven in S2 (she was uneven in S3, but that's another issue), but what exactly is she consistently doing now with Danny that she couldn't possibly do with another character? I agree they might be keeping Lindsay as "light" this season, and she's fun when she's "light". But they've done that before, and with more characters than just him. I'm actually particularly disappointed with this season because they seemed to be doing pretty well with her development last season in getting her to that be-there-for-others stage, again, not just with Danny. Yeah, it's only the first half of the season right now, so I can't write it off completely; but limiting all that to him now -- I don't see a specific design in that, I think that's just flat-out laziness.
I've never really seen her that connected with anyone besides Danny, save for Mac. Her scenes with Stella always feel so awkward to me, and I just don't see that deep a bond between her and any other character on the show. She had some nice stuff with Mac early on.
With the economic crisis, I'm thinking there has to be at least a bit of an issue; it just seems odd that quite a few characters were cut from the CSI franchise this year, because I don't remember ever seeing that many cuts all at once. It probably isn't as big a problem as they implied it to be (although that really sucks for all the actors they've cut loose because of it!), but if it was, it might just have been better to capitalize (story-wise) on the characters that had to go.
Yeah, but there were a bunch of adds as well--more adds than cuts, really. Miami is the only one with significant new characters--and I think the show has really benefitted from it.