Dynamo1
Head of the Swing Shift
Dede Allen, 1923 - 2010
by David Hudson
"Dede Allen, the film editor whose seminal work on Robert Rossen's The Hustler in 1961 and especially on Arthur Penn's Bonnie and Clyde in 1967 brought a startling new approach to imagery, sound and pace in American movies, died Saturday," reports Claudia Luther in the Los Angeles Times. "Allen was the first film editor — male or female — to receive sole credit on a movie for her work. The honor came with Bonnie and Clyde, a film in which Allen raised the level of her craft to an art form that was as seriously discussed as cinematography or even directing. 'She was just an extraordinary collaborator, and in the course of editing that film, I came to develop confidence in Dede,' Penn told the Times on Saturday. 'Indeed, she wasn't an editor, she was a constructionist.'"
Allen was 86 and, as Andre Soares notes in the Alternative Film Guide, she was nominated for three Academy Awards for her work on Sidney Lumet's Dog Day Afternoon (1975), Warren Beatty's Reds (1981), and Curtis Hanson's Wonder Boys (2000).
by David Hudson
"Dede Allen, the film editor whose seminal work on Robert Rossen's The Hustler in 1961 and especially on Arthur Penn's Bonnie and Clyde in 1967 brought a startling new approach to imagery, sound and pace in American movies, died Saturday," reports Claudia Luther in the Los Angeles Times. "Allen was the first film editor — male or female — to receive sole credit on a movie for her work. The honor came with Bonnie and Clyde, a film in which Allen raised the level of her craft to an art form that was as seriously discussed as cinematography or even directing. 'She was just an extraordinary collaborator, and in the course of editing that film, I came to develop confidence in Dede,' Penn told the Times on Saturday. 'Indeed, she wasn't an editor, she was a constructionist.'"
Allen was 86 and, as Andre Soares notes in the Alternative Film Guide, she was nominated for three Academy Awards for her work on Sidney Lumet's Dog Day Afternoon (1975), Warren Beatty's Reds (1981), and Curtis Hanson's Wonder Boys (2000).