sarramaks said:
I think it makes Danny look inconsistent and flighty whichever way round the scenes are, and that's not the fault of the actor (I do think these recent story lines have given him scope to show off what he can do).
YES, this is my biggest peeve about the switch! It undermined Carmine Giovinazzo's acting, and after all the hard work he's put into building Danny's character (whenever he's not a flat, boring prop to Lindsay), seriously, he deserves better than that.
I can't see him having realised his 'true feelings' for her at that moment because of what has preceeded the episode, eg, not remembering her birthday. I don't think he is bothered about her, he's more bothered about himself.
Very well said. Goes right along with his emo-ness being so out of left field too.
Should they have switched the scenes? IMO, no, because its obvious that they did. Rewrite them and refilm them, okay, but what TPTB have given us is something that's been hashed together.
This thread would never have existed if they'd bothere to do a good job of it. :lol: The fact that it was such shoddy work spoke volumes by itself.
As for Lindsay, at least she has some sense to not go straight round to his. I'm softening slightly towards her because of this and the Montana line I think was a way of showing her divide from him.
I agree with this. For once, Lindsay's character is becoming consistent. Like in episode 20, the way she was offhand about the Montana nickname, that implied of growing distance between her and Danny
and that it wasn't bothering her as much anymore. Is is possible TPTB may finally make her an independent character who doesn't need Danny as a prop? After three seasons, it's a lot to hope for and I'm going to assume Danny will remain her prop until I see it for myself on screen.
melanie33 said:
But this is TV..They had to find a way to bring the relationship to the for front. You cant just have two characters deepen a relationship, unless they create a situation where that can occur. It makes total sense to me, that they had to have Danny be with another woman to realise that Lindsay was the one he wants to be with. Thats why they created the Ruben situation and had the guilt factor added in.
... so let me get this straight. You think it's impossible for two characters to deepen a relationship unless some tragedy happens. And in this case, you think Danny could only possibly have a relationship deepen for him when a child under his care dies and he sleeps with another woman out of guilt? That's like saying there's no other possible storyline the writers could have come up with just for the sake of pushing D/L forward and that everything involving Danny has to be automatically connected to D/L too. Wow, that is pretty insulting to the writers' intelligence. And why
must everything related to Danny have to do with D/L or push it to the forefront? Just goes to show you how much damage there is thanks to Danny being Lindsay's prop for so long.
He closed himself off emotionally. He also disconnected himself from everybody whom he was closest too. Even Flack. I cant remember the exact words he said, but he basically told Flack to mind his own buisness in "All In The Family" Wasnt at all appreciative that Flack went out of his way, on his day off none the less, to help him.
Here's the thing: he clearly pushed Lindsay away, and he never pushed away the others as blatantly as he did her. Even when
Angell came up to talk to him, he acknowledged her and even talked a bit about Ruben.
He did tell Flack he should have minded his own business, but Flack didn't skip a beat and told him, "You're my friend. Makes it my business." And did you notice how Danny hung his head after Flack calmly said that to him? Flack understood Danny didn't mean it and had said it in a short emotional outburst. Moreover, if Danny had been so determined to shut
everyone he was closest to out of his life, he wouldn't have even allowed Flack to help him search for Rikki, much less give Flack half the list. Even at that time, Danny didn't shut him out, did he?
And oh, there's that basketball game they went to together, and Danny looking mighty happy and relaxed with Flack. Not the behavior of someone who's shut
everyone he's closest to, that's for sure. He only shut
Lindsay out.
It also makes sense that the show would want to show or have Danny fall in love. He was the character whom made the quip about never being able to find love in season one.
Really? And I suppose the writers find it impossible to write romance for any of the other characters other than Danny just because of one little dialogue, hmm? Damn, those writers are pitiful, aren't they!
Well, I suppose if a dialogue makes a character's development set in stone ... Lindsay telling Mac it was 'stupid of her to ever get involved with a co-worker' must mean she'll never, ever be stupid enough to get involved with Danny ever again, doesn't it?
He is also the most emotional, so his phoncall to Lindsay in my eyes didn't make him look desperate or look like he was losing his B***s. If he is emotional in every other facet of his life, why should he be any different in this part of his life?
Emotional =/= illogical behavior. If you bothered reading the previous posts in this thread, you'll have read the reasons why Danny's phonecall was illogical and out of left field.
I also understand why this person cant be Rikki, thats why they added the guilt factor in, that relationship could never be healthy. IMO Danny and Rikki had no common interests apart from the kids death, a shared grief and guilt thats it, Rikki basically alluded to the fact in RND when she said "before my son died, you were just someone I smiled at in the hallway and joked with at the mailbox". Once the grief and guilt started to ease, what basis would they have for a relationship, what would sustain it?
The irony is, you stated the reason why it is possible for a relationship to happen between Danny and Rikki if the writers had gone that route:
You cant just have two characters deepen a relationship, unless they create a situation where that can occur. Sure, what brought them together was a terrible tragedy, but who is anyone to say a relationship couldn't have developed from that? So the writers 'threw in guilt' to 'make sure nothing could ever happen between Danny and Rikki'? Sorry, but that's plain shipper projection right there. The writers are more than capable of writing such a relationship if they'd gone that route. What is with this constant allusion that the writers couldn't possibly have written anything other story line to push D/L?! It's demeaning to them!
Also IMO why they added the the movie scene in Episode 17, that IMO was meant to be a stark contrast to R and D. D and L just connect,even after everything it was so easy for them to go back to the way they were before all this happened. They have common interests, they enjoy the same things, and even though on the outside they seem like opposites, they are very much alike.
Interesting. To me, that scene only showed Danny trying to pretend things were fine and dandy between him and Lindsay and was testing Lindsay to see whether she'd talk to him since she was snubbing him after her Monologue of Doom. In fact, when she walked away, it showed how
distant they were, physically and mentally. As for them having 'common interests and enjoying the same things', if that's the measuring stick we're going to use now for how deep and close a relationship is ... I'd say Danny and Flack have way more in common and enjoy the same things much more.
And it's been proven in numerous episodes on screen, all the way back to the
pilot episode.
Danny IMO was also the character with the most potential for growth.
And ... the others don't? Sorry, that's a
really flimsy excuse for justifying why Danny should be in a relationship with Lindsay, not to mention the rude implication that the other characters are expendable and not worth the development.
I have loved seeing the different sides to him, he's not just some emotional hot head, he does have a softer side.
This is true, but your inference that this can only happen if Danny's in a relationship with Lindsay is amusing, to say the least. The writers did just fine with showing Danny's softer side with Ruben as well as Rikki, and neither ever involved Lindsay. So what does mean? Danny is more than capable of displaying a softer side without Lindsay.
I think Carmine is looking at this from an actors point of view. He cant just play a character that never changes or evolves, a character that remains one dimensional, where is the challenge for him in that. What we are seeing makes Danny seem more real, it makes sense that a man in his thirties would mature, would want different things out of life, would have his priorities change.
:guffaw: This is probably the most ironic paragraph I've read in a long time. Danny evolving and changing from season one was what drew many viewers to the show. It was when he became Lindsay's prop from season two onwards that he stopped evolving or changing
and became a one-dimensional shadow of himself.
The prop thing came straight from Mr. Giovinazzo himself, and I wholly agree with him.
Sure, everyone matures. You're implying that just because Danny's in his thirties now that he has to have his priorities change. That's not true at all. That's like saying someone who hits 21 would automatically want to change their priorities and their thinking. Some people can go through their whole adult life never changing their priorities and some people can change their priorities every day like they change their underwear.
I don't even want to go into Danny wanting a family of his own after
Ruben's death. A child who
died in his care. Do you think a man who's still feeling guilty about an innocent child dying when he was supposed to be watching out for him would want to get married and have children of his own within a matter of
weeks? The
last thing he'd want right now is to have children and then wonder every day if they're going to die in his care just like Ruben did. Again, this is simply projection of shipper wishes.
It sort of fits with what I said above, I think Danny now realises he doesn't want to be with anyone else apparently ever.
Uh huh. You got that, just from him saying he misses her and that he promised he won't push her away again? Has it ever occurred to you that people can say things they don't mean? That people can
lie if it means getting what they want? Life is hardly black and white.
And by the way, fanon is not canon.