Behind in commenting on a few eps
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Mebbe after this one, I'll eventually get to catching up enough to comment on last week's ep as well before this week's rolls around :lol:.
So, just going on what I recall after the fact of this one.
I liked the opening of this ep, stylisitically, all the dark, monochromatic tones, contrasting the clown as he went on his way. Some nice shots too.
The clowns all lined up on the curb was also fun.
I also liked that it started off with Flack/Mac "...don't say anything. It's just better if ya don't say anything," and Flack's comment to a clown, "If you squirt me with that thing I will shoot you," also got a smile.
As for the story. A few plot holes, but meh. My overall feeling on this ep is far more tempered by the sense that it fell back onto a few old habits, instead of continuing on an upswing. But, halfway thru a season, it's hard to push.
Some of the humor seemed forced, or at least somewhat laden (ie. "do you wear sneakers inside your clown shoes). And while I liked that there was a rather non-cooperative unhappy clown to complicate matters, and that all involved in that series of exchanges did well, it was still not the most seamless transfer of plot info. The eggheads were fun though, and who knew there could be such a thing as a clown registery. Still, better to keep track of the buggers than let them roam anonymously
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It was fun to see DJE guest, and the interaction that Russ and Jo had. If the spoilers hold true, it will be good to see him again, and sure to figure a bit more in an ep featuring the backstory of Ellie's biological mom.
I think AB's "...we've heard -nothing at all about you..." was among her better moments of late. Far better than the later DL/Edna scene (durst I call it a triangle...?
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I was hoping Russ would be a bit more involved in the case, but in that sense, he was quite seamlessly involved, so while I'd have liked to have seen more of him, how he was written in I'd count as a success.
Renton was an interesting character for NY to run with. Nice to see.
Flack. Dear Flack. Nice to see him get a more involved storyline, and purely case related. However, they surely took him into territory I dislike, wherein Mac most of all is dragged most frequently, and not for the better. Flack solo'd on his final scene, just as Mac did in Sangre Por Sangre, had an interesting dilemma malleted with linear narrative, and horrendous lines, and worse, had the most ridiculous flying scene inserted into a chase sequence NY has troubled themselves with in recent memory :lol:. A three ring circus it is then.
While some discussion has centered on how Flack, for some, was more sympathetic in how he presented the moral issues, I gotta step back a unit to call it out on the show. Flack as a character gets held to the same standards as Mac does, and what transpired was no more pleasant to sit thru just cos Eddie got some lines instead of Gary.
What I keep coming back to in instances like this is NY's chronic insistence in using characters to narrate the intended moral read of an episode. Dear NY: it's great you sometimes venture into grayer territory. Why not just let the characters and story sit for the viewer, instead of perhaps fearing that one might misconstrue the Goodness and Integrity of your protagonists.
NY has used Mac that way most often, but also Stella, Sheldon, and now Flack. The others less so.
Hearing Flack utter things like "sometimes god doesn't answer your prayers" and "thieves get rich and saints get shot" had me cringing long before the final commiseration scene between Flack and Mac. That final scene also started out with promise, in that it seemed both might take a step back to look at what they're taught to do, what the NYPD expect them to do, what the fallout in this case was, but, the latter half on sacrifices and motivations and What Is Right felt like pure narrative instead of character revelations.
Couple that with the saccharine ending of Flack taking Renton to the diner to meet his son for the first time for ten minutes, the inclusion of God in conversational morality and the preachiness of what is right, and this ep slipped from being rather entertaining to "holy crap, I've been sucked back into the worst compilation of earlier seasons." Add in Flack's hang time, and it was also among the most ridiculous. Add in DL, and it was exasperating.
It started off very pretty and moody, got a bit goofy and clunky, knitted itself together for a bit, and then just base-jumped like Flack into realms best forgotten.
Call it a
C+.
So. On a different note. Danny is now shorn enough for him and Flack both :lol:. Actually, it's kinda nice they changed up Danny's look, dunno if that's Carmine's or the show's idea, but eh, fun.
Indeed, but the problem is that Mac in so many cases refuses to acknowledge the risks or sacrifices some people make in doing the right thing. He did so in this episode.
IMO, I would like to see the DA from "Enough" come back. She's been one of the only people that has put Mac in his place when he's needed it.
I don't disagree, which is why, while not the best ep, that this season's Damned If You Do was welcome. That said, Enough is still one of the better episodes NY has done.