A-
I'm late to the party and most of what I want to say has already been said, so I'll keep it brief-ish (hopefully :lol: ). I really liked this episode because of Flack's arc, and I found myself more intrigued by the Compass Killer than I was after the first episode that featured him, so it was a success on that front. I'm definitely curious about who his fourth victim will be now.
I loved everything that was done with Flack in this episode! I agree that we should have seeb more of him messing up before it got to this point, but overall, I thought it was excellent. And I thought it was great that it was Terrence who helped him out, even if it was more than a little convenient. I thought the confrontation between him and Mac was great, but I did see it as a professional more than personal thing--Mac had tried to reach out before and gotten rebuffed, and he was done with that. Now he was going the professional route. I'm not sure how I feel about him cutting off Flack's confession, though I agree it was probably to protect both himself and Flack from ending up in a huge moral quandry, with Mac feeling obligated to either keep Flack's secret and become complicit in the whole thing, or turn Flack in.
No Lindsay again was a huge bonus. I wonder if Anna's contract got cut or something? I sure wouldn't be at all sad if that was the case. She just brings nothing to the show, and when she's gone Adam and Sid get more screentime.
That bugged me, too, initially. I felt he should have called her Jess... until I thought about how he was approaching Mac, which was as a professional. I think he was trying to keep it as much on that level as it could be, hence his use of her last name rather than her first.
I don't think trust comes easily to Danny--that's just part of his damage. Even the people closest to him--Flack, Mac, Lindsay--have to constantly keep winning his trust over and over again. I don't think it's a conscious thing on Danny's part... I don't think he knows how to trust people. I really hope we learn the source of that someday because it's both fascinating and tragic.
Eddie was amazing in this episode, simply amazing. The guy really should have his own show because his range is incredible.
I love that it was that mention of Danny searching hospitals for his dead body that snapped Flack out of it. That his friends thought he might be dead--that the one person Flack has been trying to shield from his messy downfall, his vulnerable best friend, was the one doing the legwork, was just the shot to the heart that was needed.
I love hearing the perspective of someone who doesn't watch on a weekly basis, and I couldn't agree more. All the CSI shows have this problem, and it's tiring.
I'm late to the party and most of what I want to say has already been said, so I'll keep it brief-ish (hopefully :lol: ). I really liked this episode because of Flack's arc, and I found myself more intrigued by the Compass Killer than I was after the first episode that featured him, so it was a success on that front. I'm definitely curious about who his fourth victim will be now.
I loved everything that was done with Flack in this episode! I agree that we should have seeb more of him messing up before it got to this point, but overall, I thought it was excellent. And I thought it was great that it was Terrence who helped him out, even if it was more than a little convenient. I thought the confrontation between him and Mac was great, but I did see it as a professional more than personal thing--Mac had tried to reach out before and gotten rebuffed, and he was done with that. Now he was going the professional route. I'm not sure how I feel about him cutting off Flack's confession, though I agree it was probably to protect both himself and Flack from ending up in a huge moral quandry, with Mac feeling obligated to either keep Flack's secret and become complicit in the whole thing, or turn Flack in.
No Lindsay again was a huge bonus. I wonder if Anna's contract got cut or something? I sure wouldn't be at all sad if that was the case. She just brings nothing to the show, and when she's gone Adam and Sid get more screentime.
Angel. I know that some of the people get called by their last name but Flack always called her Jess and I liked that. Him calling her Angel while talking to Mac didn't seem right to me. She wasn't just a cop to him. I've noticed this with others on the show and if they are trying to capitalize on the fact that her last name was Angel and she's dead now....I get it.
That bugged me, too, initially. I felt he should have called her Jess... until I thought about how he was approaching Mac, which was as a professional. I think he was trying to keep it as much on that level as it could be, hence his use of her last name rather than her first.
So, Danny has a spare key to Flack's apartment and it's common knowledge? Why? Since when? Does Flack give spare keys to all his friends? The fact that Danny has a key to Flack's apartment, but Flack had to have the super open Danny's in "All in the Family" is a subtle testimony to the imbalance in their friendship. Flack trusts Danny enough to allow him unfettered access to his home, but Danny doesn't trust Flack with the same. It was a nicely-played note.
I don't think trust comes easily to Danny--that's just part of his damage. Even the people closest to him--Flack, Mac, Lindsay--have to constantly keep winning his trust over and over again. I don't think it's a conscious thing on Danny's part... I don't think he knows how to trust people. I really hope we learn the source of that someday because it's both fascinating and tragic.
Eddie Cahill put on a bravura performance as a rock-bottom Flack. Whereas his dishevelment in previous episodes looked rakish, here he looked used up and dirty and sickly. Other passengers on the subway were eyeing him with disdain as he swigged from a bottle of cheap hooch. It should be noted that Flack didn't strike me as a "bad" drunk, the sort to issue threats and start brawls; if anything, he seemed as if he were trying to smile at the other people in the car. It was heartbreaking to watch the other commuters shy away from his feeble attempt to connect with them.
Eddie was amazing in this episode, simply amazing. The guy really should have his own show because his range is incredible.
I was dreading the clash between Mac and Flack because I just knew that Mac was going to get his self-righteous on, but both men were pitch-perfect. Flack was by turns embarrassed(that look from that bathroom once he saw Mac in the living room said it all)and defiant. When Mac said he was filing a formal complaint about Flack's behavior, Flack responded like a bratty, sullen teenager. I think it was Flack's indifference that angered Mac more than his conduct. Flack was contemptuous and dismissive of Mac's efforts to help him, and I can understand why Mac wanted to shake him, even though I still wish he hadn't touched him, since he achieved the desired breakthrough, not through physical force, but by pointing out the lengths his friends had gone to to find and help him when they could've written him off. The "Danny calling the hospitals to see if you were dead" punched the snot-nose clear out of him, and I think he finally realized that he was still valued and cared for even if he had stumbled.
I love that it was that mention of Danny searching hospitals for his dead body that snapped Flack out of it. That his friends thought he might be dead--that the one person Flack has been trying to shield from his messy downfall, his vulnerable best friend, was the one doing the legwork, was just the shot to the heart that was needed.
I gave this episode an A+ for the explanation of the compass killer's motivation and disfigurement, an A+ for Skeet (the only reason I started watching NY this season) and I even liked Nelly. However, after the conclusion of this arc next week, I'm sad to say that I have not connected to any of the other characters on the show and find the writing ABYSMAL, contrived and juvenile. I can suspend belief to a degree, but the show is so unrealistic on sooooo many levels that it annoys me.
Suggestions for the writers == you do NOT need to make Mac the hero/clue finder/center of EVERY episode. It is quite annoying. When I first started watching Jericho with Skeet, the writers had his character Jake solving every problem and saving everyone. The fans got tired with that FAST, and the writers adapted by 'sharing the load' and giving other characters more things to do. This is why, I think, the fans of the show connected with so many of the characters -- they were all heroic in their own ways. They also made Skeet's character make mistakes -- sometimes with potentially tragic consequences, this humanized the character so that the viewer could relate. I'm rambling, but I hate shows that have the 'main' star solve EVERYTHING. {That is why House is also annoying to me.} For instance, last night Mac found the note on the bridge. SERIOUSLY? Like, not one other cop walked past and saw it? It would have been far more believable if a random cop found it and pointed it out, or brought it to him. How hard is that? Mac sees CK at the park. Mac turns concrete into gold......STOP already.
I love hearing the perspective of someone who doesn't watch on a weekly basis, and I couldn't agree more. All the CSI shows have this problem, and it's tiring.