CSI Files
Captain
As Detective Don Flack, Jr., <font color=yellow>Eddie Cahill</font> often gets the best one-liners and the most exciting chase scenes. But season three gave him a serious storyline--a clash over a complicated case with serious repercussions with a colleague, and season four has brought romance--and more adventure--into his character's life. Before heading off for a location shoot, Cahill discussed the latest developments for his character with CSI Files' <font color=yellow>Kristine Huntley</font>.
CSI Files: So you're headed off to Chicago to shoot some scenes for an upcoming episode. How long are you going to be there?
Eddie Cahill: Just a day. Fly one day, shoot [the next]. We're going to do two scenes. The 333 storyline takes Mac (<font color=yellow>Gary Sinise</font>) to Chicago and I go there at the request of Chief Sinclair (<font color=yellow>Mykelti Williamson</font>).
CSI Files: Will that add tension to Mac and Flack's relationship since Sinclair is asking Flack to go with Mac?
Cahill: I think they've really done well with Sinclair in really incorporating him as more than just this domineering disciplinarian. It's funny, even after last year, I really like the relationship that's developed between my character and Gary's character in that it never really struck me as out and out animosity. The shit never really hit the fan. It was just a matter of two guys coming together from different points just trying to do the right thing, and finding that balance. There was a progressiveness to the conflict that kept it away from just being like, "Now you've pissed me off so you're no longer my friend." So it's an extension of that same kind of [thing]--the characters tend to come together well in tough situations. And there's a confidant thing going on.
CSI Files: In addition to telling him about the 333 caller, Flack was the one Mac turned to in "Down the Rabbit Hole" to confide in about his break up with Peyton (<font color=yellow>Claire Forlani</font>). Do you feel like this newfound rapport between the characters is just a natural progression from moving past the conflict?
Cahill: I think so. I don't know how the decision necessarily got made [for Mac to confide in Flack] but if I take a step back and look at it, I think there are probably more similarities between the two characters than may be initially thought in that they both in their own different ways take the job quite seriously. Not that the rest of the guys are out there goofing off, but I think there's a defined principled approach that I think each of the two have. Whether they're coming from the same place or not, I think they have in common the inspiration behind the way each of them behaves. I think there's a real common ground there that's not as obvious.
CSI Files: You did a really great commentary for the season three DVDs on the episode "Consequences", where the whole conflict with Mac began. How did you end up doing that?
Cahill: That was fun! I've never done that before. <font color=yellow>Pam [Veasey]</font> just called me and just asked. It was as simple as just sitting there and watching it and talking about it. That was a good time.
CSI Files: One of the things you mentioned in that commentary was that the conflict between Mac and Flack wasn't really played as a father-son thing with Mac, but rather two colleagues with two very understandable and sympathetic perspectives clashing. What were your thoughts about the conflict as it progressed?
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To read the full interviews, please click here.<center></center>
CSI Files: So you're headed off to Chicago to shoot some scenes for an upcoming episode. How long are you going to be there?
Eddie Cahill: Just a day. Fly one day, shoot [the next]. We're going to do two scenes. The 333 storyline takes Mac (<font color=yellow>Gary Sinise</font>) to Chicago and I go there at the request of Chief Sinclair (<font color=yellow>Mykelti Williamson</font>).
CSI Files: Will that add tension to Mac and Flack's relationship since Sinclair is asking Flack to go with Mac?
Cahill: I think they've really done well with Sinclair in really incorporating him as more than just this domineering disciplinarian. It's funny, even after last year, I really like the relationship that's developed between my character and Gary's character in that it never really struck me as out and out animosity. The shit never really hit the fan. It was just a matter of two guys coming together from different points just trying to do the right thing, and finding that balance. There was a progressiveness to the conflict that kept it away from just being like, "Now you've pissed me off so you're no longer my friend." So it's an extension of that same kind of [thing]--the characters tend to come together well in tough situations. And there's a confidant thing going on.
CSI Files: In addition to telling him about the 333 caller, Flack was the one Mac turned to in "Down the Rabbit Hole" to confide in about his break up with Peyton (<font color=yellow>Claire Forlani</font>). Do you feel like this newfound rapport between the characters is just a natural progression from moving past the conflict?
Cahill: I think so. I don't know how the decision necessarily got made [for Mac to confide in Flack] but if I take a step back and look at it, I think there are probably more similarities between the two characters than may be initially thought in that they both in their own different ways take the job quite seriously. Not that the rest of the guys are out there goofing off, but I think there's a defined principled approach that I think each of the two have. Whether they're coming from the same place or not, I think they have in common the inspiration behind the way each of them behaves. I think there's a real common ground there that's not as obvious.
CSI Files: You did a really great commentary for the season three DVDs on the episode "Consequences", where the whole conflict with Mac began. How did you end up doing that?
Cahill: That was fun! I've never done that before. <font color=yellow>Pam [Veasey]</font> just called me and just asked. It was as simple as just sitting there and watching it and talking about it. That was a good time.
CSI Files: One of the things you mentioned in that commentary was that the conflict between Mac and Flack wasn't really played as a father-son thing with Mac, but rather two colleagues with two very understandable and sympathetic perspectives clashing. What were your thoughts about the conflict as it progressed?
<HR ALIGN="CENTER" SIZE="1" WIDTH="45%" COLOR="#007BB5">
To read the full interviews, please click here.<center></center>