bill_az
Rookie
Talk about an epic fail.
I'm reading the book Disneywar about the troubled tenure of Michael Eisner at Disney, his fights with Roy Disney, etc.. Apparently the following story played out.
Two weeks after ABC and Touchstone Pictures merged (and by all accounts, it was ugly), the new head of Touchstone Steve McPherson set up a meeting with the drama department at ABC to pitch CSI to the network.
Steve McPherson and Robert Iger, among others, were already competing for Eisner's job as CEO of Disney. The author describes initial meetings between the TV network and the film studio as "glacial." Lloyd Braun (yes, the one from Seinfeld) wrote to Eisner that the merger was an "unmitigated disaster."
But I digress.
So McPherson, Jerry Bruckheimer and Anthony Zuiker show up to pitch the show to ABC. Zuiker described how he had been a hotel tram driver in Las Vegas, how he had been permitted to follow the real LVPD CSIs around for a few weeks, and fired off a few test scripts to Bruckheimer. They also pointed out that the public was still fascinated about forensics from the Orenthal Simpson debacle. Bruckheimer also had huge sway at Disney--at the time he was their most successful film producer.
ABC passed.
Jerry and Anthony were not happy. And neither was Touchstone, who suggested they shop the idea elsewhere, since they could make huge profits if the show went into syndication. They walked over to CBS, who wanted to pick up the show because their drama chief was a big fan of "Quincy" with Jack Klugman.
Touchstone had already produced TV content for other networks, and made money doing it, but something got in Eisner's craw about this particular series. He evidently said that he didn't care if CSI was a hit on another network--they could pull the production budget at a moment's notice and leave any rival network with a huge hole in their schedule. And Eisner apparently didn't like Jerry, calling him a "profligate spender."
So Jerry craftily circumvented the production rights by lining up another producer, Alliance Atlantis, raised their own money from future foreign syndication rights. Les Moonves told CBS to make up any difference...
and voila! :thumbsup:
Stewart, James B, Disneywar. New York, Simon & Schuster, 2005.
http://www.amazon.com/DisneyWar-Jam...=sr_1_1?ie=UTF8&s=books&qid=1287276119&sr=1-1
I'm reading the book Disneywar about the troubled tenure of Michael Eisner at Disney, his fights with Roy Disney, etc.. Apparently the following story played out.
Two weeks after ABC and Touchstone Pictures merged (and by all accounts, it was ugly), the new head of Touchstone Steve McPherson set up a meeting with the drama department at ABC to pitch CSI to the network.
Steve McPherson and Robert Iger, among others, were already competing for Eisner's job as CEO of Disney. The author describes initial meetings between the TV network and the film studio as "glacial." Lloyd Braun (yes, the one from Seinfeld) wrote to Eisner that the merger was an "unmitigated disaster."
But I digress.
So McPherson, Jerry Bruckheimer and Anthony Zuiker show up to pitch the show to ABC. Zuiker described how he had been a hotel tram driver in Las Vegas, how he had been permitted to follow the real LVPD CSIs around for a few weeks, and fired off a few test scripts to Bruckheimer. They also pointed out that the public was still fascinated about forensics from the Orenthal Simpson debacle. Bruckheimer also had huge sway at Disney--at the time he was their most successful film producer.
ABC passed.
Jerry and Anthony were not happy. And neither was Touchstone, who suggested they shop the idea elsewhere, since they could make huge profits if the show went into syndication. They walked over to CBS, who wanted to pick up the show because their drama chief was a big fan of "Quincy" with Jack Klugman.
Touchstone had already produced TV content for other networks, and made money doing it, but something got in Eisner's craw about this particular series. He evidently said that he didn't care if CSI was a hit on another network--they could pull the production budget at a moment's notice and leave any rival network with a huge hole in their schedule. And Eisner apparently didn't like Jerry, calling him a "profligate spender."
So Jerry craftily circumvented the production rights by lining up another producer, Alliance Atlantis, raised their own money from future foreign syndication rights. Les Moonves told CBS to make up any difference...
and voila! :thumbsup:
Stewart, James B, Disneywar. New York, Simon & Schuster, 2005.
http://www.amazon.com/DisneyWar-Jam...=sr_1_1?ie=UTF8&s=books&qid=1287276119&sr=1-1