Kristine,
loved this review. Considered i knew your reservations on this case i am glad you were very objetive with this story.
Something i would like to add: There is a brave woman called Susana Trimarco
whose daughter, Marita, was taken by one of these human trafficking groups. She never found her but she created a foundation to help girls like her daughter to escape from these men. These guys rape them and beat them and drug them to keep them under sumission and then these guys become them into prostitutes.
This woman also infiltrated insde one of these groups and she helped to set free about 180 girls from all provinces. Some of them knew her daughter. So if these poor girls cannot escape is mainly because the fear, the shame (all of them are very humble). One of them (for example) escaped because she told one of her "clients" her phone number and she told him her story. The man believed him and cops just saved her along with other girls
So for me it's not being coward the fact they couldn't escape earlier. Just they can't.
Debbie
Oh, I definitely don't think of any of them as cowards for not being able to escape--I just hated the glossy, over-simplified way the victims have been portrayed in the other sex-trafficking episodes of the CSI shows. The reason I did like this one so much is that we did get to hear from the girls. They weren't just nameless victims for the CSIs to rescue.
I also liked Stella's obvious connection to the case. When 'Katie' was saying that she didn't have anywhere to go, I was reminded of Stella - in a different universe, Stella could have fallen through the cracks as a young woman in foster care and ended up in a similar situation.
Very interesting observation--I hadn't thought of it that way, but it makes a lot of sense, and connects nicely to "Cold Reveal," where Stella had a similar realization about her foster sister.
The scene at the end with Rani talking to her father's dead body made me cry more than the scene where Gillian told her story. Wiping off her makeup and taking off her earrings seemed (to me) symbolic of the fact that she's still a little girl -
his little girl. He came halfway around the world to save her, and he did - at the cost of his own life.
That he saved so many other girls in the process is bittersweet comfort for Rani, I'm sure.
I also couldn't help but be reminded of Sid's scene in "Not What it Looks Like" when he told Stella the victim reminded him of his daughter - Sid didn't say anything to confirm it at the end of
this episode, but just with his demeanor in the scene with Rani, it conveyed his own emotion at the situation. I'd love to see his daughter on the show someday.
Agreed on both points. I really liked Sid's quiet, somber expression in that scene. He was clearly affected by what Rani was saying.
The letter was postmarked four days ago.
Seriously?! I can mail things within my own state and they take more than a week to get there, and I'm supposed to believe that a letter got from NYC to the Ukraine in four days?
Yeah, that stood out to me, too. A letter from CA to somewhere else usually takes a week, so international mail would never move that quickly.
But when a review of New York comes up, I avoid it because I dont' want to read again how bad an actress Anna Belknap is because it's a matter of, "Okay I get it." But Top has her opinion and so be it. If she criticized an actor on Vegas, I'd probably stop reading her reviews of that show as well.
Well, I guess I should be flattered by the Swift comparison.
As for repetition...I certainly don't mention Belknap's weaknesses as an actress or Lindsay's failings as a character in every review, but let's face it: after reviewing these shows for five years, I'm going to repeat myself now and then (and maybe even more than now and then).
I love Marc Berman's ratings column over at Mediaweek, and tend to read him at
PI Feedback almost every day. Well, just about every week in his column on Thursday night's ratings he mentions that "ER should have ended years ago." He looks at the ratings and that's his reaction so he writes it, and sometimes readers express frustration over that. It's Berman's damn column--if he wants to repeat it every week until ER does end, he's entitled.
And T'Bonz right, they're just fictional characters, but a lot of people are emotionally invested in them for whatever reason we don't know. We don't know what's going on in their lives that have made them turn to a TV show for happiness or emotional relief. It is what it is. I guess maybe we need to remember each of these characters have fan base right from Gil Grissom to lab rat Mandy, but that's me. I don't like all the characters on the show. But others do. I may say things on the board that tick off people, but then I go away and think well maybe I shoudn't have said that.
Well, with all due respect, people who take these characters too seriously either need to not read contrary opinions that are going to piss them off or they need to get some perspective and realize that an opinion on the internet can't hurt a character that isn't real in the first place. I've seen characters I love criticized, and I actually enjoy reading contrary opinions. Doing so causes me to rethink or solidify my own opinions. And as I've said many times, I always welcome a good debate.
Because Krisen has been quite vocal about her feelings about Anna Belknap's acting, any good criticism she writes is erased by the very bad one she writes the next week or the next two weeks or three. It comes across as very insincere because readers only remember that in the last one she tore her apart.
Only to those who are so narrow-minded that they believe you either have to love something completely or hate it completely, with no middle ground. Danny is my favorite character on the show, but I've criticized him before and will probably do so again at some point down the road.
When I took public relations, the first lesson I learned was to 'know your audience.' In otherwords, when you write anything, you should anticipate what the reaction is going to be.
PR writing and review writing are vastly, vastly different, with very different goals. If my reviews were just PR spin for the shows, I wouldn't be much of a reviewer. I'm not going to sit back and ask every time I express my opinion, "Is this going tick someone off?", I wouldn't be able to do my job as a reviewer.