CSI: Crime Scene Investigation--'Time Of Your Death'

CSI Files

Captain
Synopsis:

A young man named Jeff Powell meets his end outside the Palermo hotel by the landing deck. Catherine notices white paint on his clothes and traces his path back up to the loading docks and through the service entrance. Catherine and Nick go to the man's hotel room and find evidence of a wild evening--the bed has clearly been used, and they discover cocaine in Jeff's luggage. Catherine finds a blonde hair in the bed and puzzles over an expensive leather jacket that doesn't seem to match Jeff's other clothes. They also find Jeff's wallet, with a corporate Visa card issued to Sheritown, Inc. Back at the morgue, David Phillips and Warrick puzzle over a red wine stain on Jeff's boxers, while Dr. Robbins shows Catherine that Jeff was killed by a blow to the neck that crushed several bones and caused him to asphyxiate.

Archie starts in on the video surveillance tapes from the hotel and spots a blonde with Jeff. She goes back to his room with him and leaves hours later, only minutes after Jeff does. Jeff walks out of the hotel, but the CSIs can't tell where he's going as he's blocked on camera by two larger men. Nick learns that Jeff made several big clothing purchases with the blonde woman, and Catherine learns that the rented Ferrari Jeff was driving was damaged. Traces of pool chalk on Jeff's hands lead the CSIs to a pool hall near the Palermo where Jeff and the woman were playing pool, and the owner recognizes and names the woman as Heidi Wolff when pressed. The CSIs bring Heidi in, and she admits to sleeping with Jeff but claims she bolted when he got serious on her. She was just looking for a fun time.

The CSIs trace the corporate card to Mick Sheridan, Jeff's boss, a Hollywood producer. Jeff was his assistant, and Mick had given him the Vegas vacation as a gift after Jeff saved him millions in his divorce. Paint trace on the Ferrari is a match for a black Corvette, and the CSIs trace the Corvette to the same place the Ferrari was rented from. The man who rented it that night, Randy Bolen, is a former stuntman with a record for assault. Randy played pool against Jeff that night and lost. He admits to following Jeff and Heidi and side swiping their car, but is surprised to learn Jeff is dead. In the AV lab, Archie has located the tape with Heidi and Jeff's meeting on it--she walked up to him and sat down next to him, crying, and pointing across the casino at someone off camera. Jeff comforted her and when he turned away for a moment, she spilled her wine on him--intentionally. Archie notices a thick wad of cash in her wallet, indicating she wasn't rolling Jeff for the money. The CSIs are also surprised to learn it was Heidi and not Jeff that rented the Ferrari with a corporate account--Caprice.

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An interesting commentary for sure, but I'm not sure about the reviewing aspect... did you think this was good episode or not?
 
A review needn't say this "was one of the top five eps" or whatever. To me all "CSI" episodes are "good"; I wouldn't watch the show otherwise.
Thanks, CSI reviewer, for a concise summary that also made many good points about the episode. Be careful what you wish for is right.
 
BabaOReilly said:
An interesting commentary for sure, but I'm not sure about the reviewing aspect... did you think this was good episode or not?

I guess I didn't feel really strongly about it one way or another. It was entertaining but a little on the average side--more or less a routine episode of CSI. Which isn't to say that it's bad by any means--not all eps can be standouts in either a good or bad way.

What did you think of it?
 
^^^ I'd say you pretty much summed it up there, although I'm leaning more towards the "I was actually bored at some points" side, which is unusual for me when it comes to CSI. I actually got up and checked my email during the show, and normally I don't leave my seat! :eek:
 
I've actually found CSI to be pretty flat this year. The stories have been decent, but I haven't had a lot to say about them, unlike Miami and NY. Granted, I'm not always fired up in a good way about Miami and NY, but I always find I have a lot to discuss in the reviews.

It seems like character has really taken a backseat this year in CSI, and that's not a good thing. I personally connect best to the stories that the characters connect to.

I'm hopeful about the final two episodes, and I thought the "Bullet Runs Through It" pair were great, but not many of the episodes this year stand out to me beyond that.
 
^^^ Interesting. Outside of the finale last season, I'm actually enjoying this season of CSI much more. I've enjoyed the writing in particular on quite a few stand out episodes.

:lol: I guess that's how reviews go though. Everyone's got an opinion. :lol:
 
^Definitely! :D Which episodes stood out for you this year? I've certainly enjoyed some of them, most of them even, but not many have stuck with me in the way some from past seasons have.
 
For me the standouts were Gum Drops, Secrets & flies, ABRTI 1 & 2, Dog Eat Dog, The Unusual Suspect and Rashomama. I also quite liked Bodies In Motion, Shooting Stars and Up In Smoke.

Ones I could have lived without, though were Werewolves, I Like to Watch and now Time of Your Death. For Time of Your Death however, unlike the other 2, it wasn't so much that I disliked elements, but rather I was mostly just bored.
 
I liked a lot of those two--I guess none of them really made a big impact on me, though. I like episodes that stay with me--like "Bloodlines" or "Grave Danger."

"Gumdrops," the "Bullet" episodes and "Werewolves" were probably the ones I found most memorable. I liked "Shooting Stars" too.
 
I liked the episode Time of Your Death. When I initially watched it did seem to take it a while to really get going, but of course I was probably waiting for some GSR. The second time I watched it was much better, I thought the case was very well put together.
 
The case did fall together nicely. I have to give Vegas props for that--their cases are usually the most seamless. Everything always seems to add up at the end.
 
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