CSI: Crime Scene Investigation--'Leaving Las Vegas'

CSI Files

Captain
Synopsis:

Catherine is dismayed when Jay Gregory Finch is found not guilty of murdering his mother, Addie, who was stabbed and then shot to death in the house where she lived with her son. Certain the finding is erroneous, Catherine goes back to the evidence and two samples of blood from related women found on the knife used to kill Addie Finch. Catherine looks into unsolved cases in the area around the time of Addie's murder; Jay Finch drove for five days before reporting his mother's murder and turning in the weapon he found, and Catherine believes he may have killed during that time. She finds a case in Larkston that could be a match: a mother and her daughter disappeared one night after eating ice cream at a local restaurant. With Nick in tow, Catherine heads to Larkston where she and Nick meet up with the local sheriff, Beth McGuire. Nick is able to recover a bullet from the picnic table they were eating at, but the bullet isn't a match to the one that killed Addie.

When Beth mentions another case--the murder of a mother and her grown daughter, Mary Acheson and Heather Curtis--Catherine's ears perk up, but Beth tells her that a handyman, Robert Guffey, confessed to the killing. The M.O. matches that of Addie Finch's murder: both women were stabbed then shot in the head. The CSIs take a trip to the house where the women were killed and learn that Heather's young son, Danny, was a witness: he was hidden in a cabinet under the kitchen sink when his mother and grandmother were killed. Heather's husband, Shawn, abandoned the house after the murders, so Catherine and Nick go over the house, discovering bullets outside beneath the rabbit hutch. They surmise that the killer realized there was a child in the house and thought he was hiding in the hutch.

Catherine visits Robert Guffey in jail, and he tells her he was bullied into confessing and that he recanted the next day, but that it was too late. He tells her his prints were in the house because he discovered the bodies and called for help, but left before the police arrives for fear of being implicated. Catherine gets Shawn Curtis' permission to talk to Danny, who tells Catherine what he remembers of that day--including that the killer took a cookie from cookie jar above where he was hiding. Catherine inspects the jar and finds a bloody print under the lid. A run through AFIS proves it's a match to Jay Finch. Catherine pieces it together--Jay, disoriented after a long drive, thought he had come across his house, but when Mary barred him entrance, he went beserk, killing Mary and Heather. Ready for his leave of absence, Grissom bids farewell to the team individually, and tells Sara he'll miss her, before heading off to Williams college to teach a month long entomology course.

Analysis:

It's sayonara, Gil Grissom, at least for four episodes. Much is made of Grissom's sabbatical by the team, and each member reacts differently to it. It's interesting to see how each character approaches Grissom about his leave of absence--there's a nervous energy at the lab that's understandable, given that the group is going to have to go a month without the man who has been their leader for years now.

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For the first time in ages, I was totally impressed with a CSI episode. First off, with Grissom headed out the door for a few episodes, this gives the other regulars a chance to come to the front and take over center stage, all without having "Daddy" to guide them. This also gives some space on the show to bring in a new character (Keppler).

This particular episode showed much more depth from Catherine's character, with her taking initiative and going past the obvious to prove a point. It also showed her dark side, in her willingness to use her cleavage as a tool to get the inmate to talk. I suspect this is just a hint of the troubles to come in the next few episodes.

Most of all though, I have to give a big round of applause for the writers who were smart enough to know that CSI works best with longer term situations / serial offenders. Not everything in the world gets solved in 60 minutes, and it allows us to see both success and failure for each of the CSI staff as things go along. The model house killer is for me the perfect long term foil for the sometimes overwhelming intelligence of Grissom. It makes him more humble and shows that he can be less than right all of the time.

Finally, a complete aside: With the arrival of Keppler in the next episode, and with the general lack of interaction with the "evil Eckley" this season, I am personally starting to feel that CSI is heading towards another shakeup in the ranks. I would expect to see Eckely caught with his proverbial pants down and pushed out of the lab, and Grissom finally rewarded with a promotion. This would allow the show to actually add bit player characters around the lab, and potentially add one or two new mainline characters to play off the existing cast. Promoting Grissom would likely also add strain to the relationship with Sara.

Overall, Leaving Las Vegas as an episode will likely go down as a fork in the road, a point similar to the promotion of Eckely that started a chain reaction of events that took almost an entire season to resolve. Good times for CSI fans!
 
Raw_Alex said:
For the first time in ages, I was totally impressed with a CSI episode. First off, with Grissom headed out the door for a few episodes, this gives the other regulars a chance to come to the front and take over center stage, all without having "Daddy" to guide them. This also gives some space on the show to bring in a new character (Keppler).

I'm excited about that, too. Can't wait to see how they all fare, and what Keppler is like.

This particular episode showed much more depth from Catherine's character, with her taking initiative and going past the obvious to prove a point. It also showed her dark side, in her willingness to use her cleavage as a tool to get the inmate to talk. I suspect this is just a hint of the troubles to come in the next few episodes.

I wasn't a fan of that scene, I'll admit. It was awkward and sleazy, and I couldn't see one of the male characters on the show resorting to that tactic to get a female suspect to talk. That said, Catherine has gotten by in part by using her sexuality, and she's shrewd enough to know when it will help her out. It did here.

Most of all though, I have to give a big round of applause for the writers who were smart enough to know that CSI works best with longer term situations / serial offenders. Not everything in the world gets solved in 60 minutes, and it allows us to see both success and failure for each of the CSI staff as things go along. The model house killer is for me the perfect long term foil for the sometimes overwhelming intelligence of Grissom. It makes him more humble and shows that he can be less than right all of the time.

I like that, too. Wrapping up most of the murders in an hour-long episode is the reality of episodic TV, but it's nice to see CSI branching out from that a bit.
 
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