somethingsdont said:
It should be "Hey, Delko," said Ryan. with the comma inside the quotation marks.
It can also be written: "Hey, Delko." said Ryan. Creative fiction has a few Grammar rules that vary from the essay writing rules.
But then again, I'm a fan of aesthetics and incomplete sentences.
And never trust Word. It may give you a basic idea of what needs to be done but it doesn't point out the most common abuse of commas or semi-colons. Though, it's spell check is useful
.
In case that's chalk full of horribly bad grammar mistakes, I've slept three hours in two days. It's my excuse, I don't actually post fiction in this condition.
lostladyknight said:
I generally find slash fic to be of a lower quality when considering characterization, plot, and mechanics.
In my previous fandoms I've found the exact opposite true, which is funny because in this one it's pretty much level ground.
12)If you're going to nab a cliche plot idea, at least try to go about it a different way. Reading the exact same two stories is not my idea of a fun time. In fact, if you can manage to make a cliche plot new and exciting, it's usually a pretty well received story. There is, of course, a reason the plot is cliche.
I'm guilty to a couple of these.
Expecially the PWPs. I'm pretty much done with them, there's only so much you can write before it's just going through the motions. And then the PWPs that actually had PLOT.
And of course, the A/N :devil: I went through a 29 chapter story with basically one line A/Ns that explained how hard/easy the chapter was to write or why the chapter took so long to come out. (until the second to last chapter where I felt the urge to share why exactly I was writing and how I felt about it)
but wrote a series of short stories, six to 12 thousand words that had insanely long A/N. I usually feel the urge to explain the reason why I wrote it, because my short stories are usually focused on one thing I want to get across.
On that note.
13) Keep your A/N at the bottom of the story please. I want to read the story and make up my mind about what was going on, what you were trying to get across. Not be ruined by you explaining it to me first off.
14) I understand that characterization can be hard to grasp, it usually takes me a couple of short stories to feel like I even have a feeble grasp on the characters...
But when deciding to write suicide... at least make the attempt to make it make sense. Danny isn't going to pop a bunch of pills just because Mac yelled at him a little. At least get him fired or something.
15) Words that sound alike but are spelled completely different. There/their/they're aloud/allowed lose/loose etc. Pay attention people, the meanings are completely different and will really mess with someones head when they read that and have to pause.
16) And for God's sake. If you're going to curse or use his name, TYPE IT ALL THE WAY OUT. None of this F*** and G-d business. If you're not comfortable using the language... then it doesn't need to be used. It's as simple as that. We don't hear the characters constantly cursing up a storm or using God's name in vain, they can say something different just as easily AND still be in character. Now if you were writing Boondock Saints fic and your main character was the bar tender, uhg what's his name?, than you just might have a problem.