'CSI' Stars And Fans Support The WGA

CSI Files

Captain
CSI fans take it to the skies.

This morning, a plane flew over Universal Studios, where Writers Guild of America (WGA) members were picketing. The banner trailing behind the plane read "CSI Fans Support WGA". According to an e-mail sent to <font color=yellow>Nikki Finke</font>, the fans hoped that the banner "will serve as a morale boost for the writers and let them know that the fans are behind them." Fans from all over the world contributed to the campaign to fund the flyover. "We understand that the writers are fighting for what is fair and owed to them," the e-mail said. "They are only fighting for what they rightfully deserve, and we get that."

While the fans proclaimed their support from the sky, some of the stars of CSI: Crime Scene Investigation stood with the writers on the picket lines. During a demonstration of solidarity organized by the Screen Actors Guild (SAG) called "Picketing with the Stars", television actors from almost thirty programmes joined the WGA members from 12:00pm to 2:00pm today. <font color=yellow>Marg Helgenberger</font> (Catherine Willows), whose husband <font color=yellow>Alan Rosenberg</font> is the president of the SAG, was joined by fellow CSI cast members <font color=yellow>William Petersen</font> (Gil Grissom), <font color=yellow>Archie Kao</font> (Archie Johnson), <font color=yellow>Marc Vann</font> (Conrad Ecklie), <font color=yellow>Wallace Langham</font> (David Hodges), <font color=yellow>Liz Vassey</font> (Wendy Simms), <font color=yellow>David Berman</font> (David Phillips) and <font color=yellow>John Wellner</font> (Henry Andrews). The rally was organized by two members of the WGA negotiating committee: CSI showrunner <font color=yellow>Carol Mendelsohn</font> and Desperate Housewives showrunner <font color=yellow>Marc Cherry</font>.

The strike itself is not moving any closer to negotiations. The WGA is continuing to picket, showing up at the crack of dawn at studios in an attempt to turn away Teamster drivers (many of whom are choosing to honor the lines). Yesterday was a school holiday for Veteran's Day, so many of the WGA members and supporters brought their children with them to the picket lines. Meanwhile, The Alliance of Motion Picture and Television Producers (AMPTP) took out paid ads in the trades titled "Setting the Record Straight". In the ad, the AMPTP said that writers are paid residuals for permanent and pay-per-view digital downloads, and the ad also stated that the WGA West members received more than $260 million in residuals last year. The ad also asserted that there had been an offer on the table during the failed negotiations with the WGA to pay writers for internet streaming. WGA East president <font color=yellow>Michael Winship</font> sent a letter to guild members, and within that letter he stated that the guild is asking for increases that would amount to less than $200 million over the three-year term, and he compared that number to the billions of dollars in profit that the studios earn each year.

While thousands of writers and supporters gather on the picket lines every day to show solidarity during the strike, some soap opera writers have chosen to cross the lines in order to keep their jobs. The WGA would not comment on the defections, but it is believed that several writers have made the decision to go "financial core", meaning that they will give up full membership in the guild and hold back on the dues usually paid for political activities. In return, the writers would be able to continue working during the strike. With declining ratings and the potential for cancellation, the soap opera writers are trying to keep their shows afloat. The networks know that a long stretch of repeats could prove fatal for the daytime programmes. Even with this in mind, the defections are the exception rather than the rule, and most soap opera writers are honoring the strike.

The e-mail to Finke can be read in it's entirety at Deadline Hollywood Daily. The full list of stars that appeared at "Picketing with the Stars" can be read at United Hollywood. You can read more about actions of the WGA and AMPTP at Variety. Information about the soap opera defections can also be found at Variety.<center></center>
 
CSI_Files said:
Fans from all over the world contributed to the campaign to fund the flyover.

Seriously. Yet another flyover?

Will these same fans dig deep to help pay the mortgages of any members of staff working on the CSI franchise who happen to lose their jobs as a result of the strike?

A writer that may completely lose their job because of this, as with some of the soap opera writers, who can really blame them for defecting? Such is life, people essentially are only interested in things that will benefit themselves, and not having a job is surely not a benefit to anyone? I feel glad for the scores of other people working on those particular soap operas that may be spared the pain and heartache that many others in the industry are feeling.
 
i can tell from my country's experience that a non-stop strike can last for a couple of weeks, maybe two months and then those who strike go back to their jobs.

but that was nurses. and only about a hundred of them were striking. here we've got the whole population of writers, so i don't know who is going to give up first.

does anybody know who is getting all that excess money that is earned by the shows? i know, producers. but who exactly? les moonves? jerry bruckheimer?
 
ulg, this smells like the work of ytdaw...they also have been fundraising to send the people picketing lunches and food. I am sorry, but these people are not poor, nor are they starving. How about we help some real charities out?

Yeah the writers should get residuals from the internet stuff and dvds, but fundraising for them is kind of sad...it isn't that bad being middle class.
 
^ naaah. how much does a thing like that cost? i think it was less about money and more to show support from the fans. right now it's something very important for the writers, actors and everybody who works on the shows to see that the fans stand for them. it gives them a lot more advantage when the producers see who the public supports.

i agree, all of these people earn a lot more money than anybody from middle class, but hey, that's business. and it doesn't mean that they shouldn't get more, comparing to the profits their shows are making. it's just fairness, if you make tremendous amount of money, why would you be satisfied with only a tiny percent, while some fat producer is getting all the rest?
 
xfcanadian said:
Yeah the writers should get residuals from the internet stuff and dvds, but fundraising for them is kind of sad...it isn't that bad being middle class.


but a lot of them are barely middle class, given the geographic areas in which they live.
According to the U.S. Bureau of Labor Statistics, the *median* annual salary of working scriptwriters is $44,350.

My understanding is that the pension plans and health care funds are dependent on the residuals as well. Also, the actors' and directors' contracts are up for negotiation this summer. The reason the writers' strikes tend to be contentious and supported by SAG is because as the WGA goes so go the other unions.
 
I don't know, I support the reason for the strike, but I think with the fans participating, it's gone a bit too far. I agree that the writers should get their fair share of the profit their scripts make since a lot of them live on the residuals because their work isn't that stable, but I think the WGA should try to work it out with the studios asap instead of trying to get everyone involve and making it seem like the strike could last forever. This is costing other people's jobs, and those other people may be struggling to survive, too. Ugh. And yes, I do believe one of the reasons why a lot of actors are supporting this is SAG will be the next union to have a contract negotiation with the studios.
 
^ Yes, I'm not surprised by the actors support. They of course have a vested interest in the outcome.

Adzix said:
i can tell from my country's experience that a non-stop strike can last for a couple of weeks, maybe two months and then those who strike go back to their jobs.

I think it all depends on the unions involved really. Apparently the last writers strike back in the 1980s went on for 22 weeks. That's a long time to not be paid.

I'm not sure that it is as simple as there being 'excess' money which is simply lining the pockets of the rich few. No doubt certain people are receiving and controlling the largest amount. But in asking for additional money, technically that has to come from somewhere. Someone else has to lose out. Equally, setting a precedence now will undoubtedly affect the negotiations of the SAG and others whose contracts are up next year. I'm not saying that the money isn't deserved, simply that the issue is complex and with both sides coming out with opposing and conflicting information it is hard to really say one is right and one is wrong.

IMO strikes should be kept as a complete last resort for unions after all else had failed, and then should only be used for the most important and critical of issues, which I don't believe this situation is.

As for the flyover. I don't believe it is necessary for the writers to have fan support, and I really don't think it will actually in any way affect the outcome. Also, I know I'm just being pedantic, but generalising to 'CSI Fans support the WGA' is very narrow minded, I'm sure some do, but not all. I know this seems to be a unpopular opinion, but it's still my opinion. I think the writers deserve additional payment, but I don't support the strike.

Anyway, whoever organised the flyover is beside the point, but looking at the CSI Files news article after the lunch thing I would like to quote part of it, for people to think about:

David Rambo expressed his thanks and explained that the generosity of fans, production offices, agents and other people has kept them well cared-for. For that reason, he made a special request of the fans that would like to make contributions. "What we'd really like most, if you do want to continue to show support for our strike," he wrote in an e-mail to YTDAW, "would be for the fans to make additional donations to CASA [The National Court Appointed Special Advocates] in honor of the striking writers. That way, our strike is helping others in far less fortunate circumstances in addition to protecting our writers' rights."
 
Woah. Iwonder how much longer they're going to be on strike. I haven't really read that much about the strike, but I've read enough to know that this could affect everyone quite seriously in the long run. I hope they come to some sort of agreement in the end.
 
but a lot of them are barely middle class, given the geographic areas in which they live.
According to the U.S. Bureau of Labor Statistics, the *median* annual salary of working scriptwriters is $44,350.

My understanding is that the pension plans and health care funds are dependent on the residuals as well. Also, the actors' and directors' contracts are up for negotiation this summer. The reason the writers' strikes tend to be contentious and supported by SAG is because as the WGA goes so go the other unions.

I wasn't saying they shouldn't get earn more money because they are middle class...

I was talking about fans raising money to feed them in the picket lines, they are not starving people...there are others who need food more than them.
 
^Lunch during the strike. That was more a sign of support for them while they strike than a "let's feed starving writers" gesture.
 
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