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Greg in "Man Up"?

There's a part of me that's relieved (not because of Laurence Fishburne, himself, but because I didn't like the way the character of Ray was being written lately), but also a part of me that's concerned about what this means for the future of "CSI" (especially when combined with the move to...

That's the one, sharkybu (with thanks to Desertwind for help). Your turn to come up with a new quote!

Yay! OK, next: "We usually show up too late to meet the victim."

I can sort of see your first point, but to me, your second point could have just as easily been achieved in Vegas as in L.A. Have Morgan be on a shift where she's least likely to see her dad, and then Brody could just be a cop we've not met before. Pretty simple, really. The L.A. link feels...

OK, but that's not my point. The point is, why did the writers have Haskell go there? What purpose did it serve? In terms of the story, very little really, and it was one of the more implausible elements of this episode to have practically the entire team haul ass over there, then haul ass back...

OK, but that's not my point. The point is, why did the writers have Haskell go there? What purpose did it serve? In terms of the story, very little really, and it was actually one of the more implausible elements of this episode to have practically the entire team haul ass over there, then...

Greg in "The Accused Is Entitled"?

"Mythbusters" tested this out, though not in the trunk of a submerged car; it was in the front seat, and Adam was trying to open the doors to get out, but couldn't until the pressure was completely equalized, inside and out. The first time, he had to go to his emergency air supply. The second...

I know this has been asked before, but I have to wonder why the powers that be had the L.A. aspect at all. Couldn't everything they set in L.A. just as easily have occurred in Vegas? It seemed very strange to have all this traipsing around, only to end up back in Vegas. The only thing I can...

I've only been watching off and on this season, but I agree with you. "Exit Strategy" was superb! It was so well done that it easily could have served as a series finale, not just the season finale . . . and one has to wonder if, given how up in the air renewal was, that's how it was written...

Brass in "Kill Me if You Can"?

That's the one! Your turn.

OK, first a meta-observation: You really need to hit that "Enter" key once in a while. Paragraphs are your friend. Without them, your post is almost unreadable. Having said that, as I was swiftly scrolling past, I did notice your mention of these three series whose "prosperity" is open to...

Yay! Next one: "You know, I knew guys who could go up to four days on one single pair of tighty whities."

Nick in "The Lost Girls"?

The one and only. Your turn!

Woo, hoo! OK, next one: "Don't you ever goof off, huh? Do you ever get a little lost in life?"

Grissom in "A Night at the Movies"?

Yes, indeedy! Your turn!